inding all requests for funding troops in Iraq and Afghanistan impeded by the new Democratic Congress, President Bush resorted to the only weapon at his disposal Friday: Requesting even more troops, more specifically, 4,000 new soldiers with the explicit purpose of conquering Congress.

Astounded Democratic leadership responded quickly, telling the press Saturday, "Of course, any action that brings greater safety to our nation will be considered. But for crying out loud, of course we're not going to approve that. I mean, get a clue."

Critics of the White House were quick to condemn what they called a "call for a military coup" from the president as "unconstitutional."

The White House responded with a brief memo stating: "We'll let the militarily-supported Congress establish what's constitutional and what's not."

Some have been quick to characterize the measure as an attempt, however ill-conceived, by the White House to demonstrate the Democratic Congress is unwilling to work with them. Okay, it was just one guy who said that—political and pizza pundit Jefferson Shavers III.

"It's really a no-lose situation for the president," said Shavers, revealing his dazzling smile in the quaint atmosphere of his wood-paneled office in mom's garage. "If the Democrats turn down even more requests for troops, even those which would be serving on domestic soil, the president can point to it as further proof Congress just won't cooperate. And if he gives them the troops, they're all going to die. He absolutely can't lose, unless a ridiculously low approval rating demonstrated Americans really aren't supporting the White House military demands anymore."

While most in Congress, where the danger lies, continued to remain silent on the request after its announcement, the administration took the offensive by attempting to paint a picture of an anti-troops sentiment in the Democratic party.

"I come from a different world than my Democratic colleagues, I suppose," said Vice-President Dick Cheney, the gaping orifice of the White House whenever it has to tell America something truly odious. "Where I come from, we support the troops, we don't try to make political ammunition out of the war they're fighting. We supported them when they're in Vietnam. We should support them when they're fighting in Afghanistan, in Iraq, or standing behind you with a rifle and demanding you vote 'yea' on a flag-burning amendment. That's just the way I was raised."

The administration called for an immediate vote on its inappropriately named "Kill Congress" legislation, citing an expected Taliban offensive in the spring that the U.S. would be better prepared for when it could "bypass congressional authority and get as many troops as it needs" to stabilize the region. The bill goes to the House on Monday for a vote, where its chore of passing the house should be comparably to last year's "Snowball in Hell" amendment sponsored by insane Senator Zell Miller (D, GA).

The White House refused comment to the commune, as per usual. Republican governor of California Arnold Schwarzenegger was contacted just for an amusing quote in his thick accent, but he turned out to be even more unintelligible over the phone than in person, so we scrapped that plan.

merica’s trailer park inhabitants mourned between talk shows and soap operas Saturday as the world’s public-access Marilyn Monroe was buried in the Bahamas. The modest celebrity and super-tabloid magnet was finally laid to rest after a month of court battles and life-draining media coverage following her February 8 death from over-exposure. Laid next to her son following his September 2006 death from a drug overdose, Smith’s burial was most notable for a judge’s order that allowed several members of the tabloid media and freelance photographers to be interred with the body.

"I’ve got a feeling this story is only going to get bigger after this," said photographer Ray Snable, still clicking away on his camera with fresh photos of the body as pallbearers nailed a large lid on the 125-man coffin containing the deceased starlet and her new entourage.

"The unusual burial situation came about from an order handed down by vaudeville’s own Judge Larry Seidlin when he released the Smith body and its bosom baggage for a burial in the sunny Bahamas. Judge Seidlin decreed that "America has a vested interest in following the continuing drama of the Anna Nicole Smith story."

"Now more than ever," said Broadway Seidlin, "as the country faces one tumor of dull-ass presidential election coverage and weak competition on American Idol, the people want and need the security of a sassy, beautiful corpse of no particular claim to fame and her everyday trials. Reruns are simply not enough."

The court ruling allowed 124 members of the medias, including freelance photographers, to join the Smith remains in their underground adventure with a specified promise of keeping the public up to date on how the story continued to unfold. Will Smith learn to cope with the loss of her son? Will she tell the real identity of her baby’s father? Will she continue to live the sedentary lifestyle all of America witnessed on her too-short-lived The Anna Nicole Show? Judge Seidlin promised just because the body ceased to breathe it doesn’t mean Americans will stop caring about the drama.

After burial of the notably large coffin, the muffled screams of the more timid members of the burial coverage crew were drowned out by the sobbing of people who felt a bizarre kinship with the former Playboy playmate and grave-robbing skeleton widow, as well as the appropriately vacant song stylings of country music superstar Joe Nichols. Slash, of the band Guns ’N’ Roses, was also in attendance, because what else could he have been expected to be doing.

Despite objections from some human rights advocates, Entertainment Tonight segment producer Lynn Hoddbody argued those reporters and photographers buried alive with the corpse of the peroxide blonde model were the lucky ones.

"This is probably the single most important media event of the century, and I can say without fear of contradiction Anna Nicole Smith will be the most tragic figure in history," Hoddbody said. "Who wouldn’t gladly sacrifice themselves to be there when O.J. Simpson slashed the shit out of his wife and that guy, to witness that world-shaking event in progress and have a slim chance of telling us just what happened? In this case, we can all truly say we should envy the dead."

Which begs the question—first O.J., now Anna Nicole: Is there a curse on all the stars of The Naked Gun 33 1/3: The Final Insult? Will George Kennedy survive?

Omar Bricks here, writing to you from the seventh ring of hell, or as it is known in mapese, Nashville. How'd I get here? What am I doing here? All fair questions. If you come up with any plausible answers, let me know.

It all started, if these kinds of things can ever be attributed to simple cause and effect, with a 12-hour repeat listening of the Eddie Rabbit tune "Driving My Life Away." This was caused, I assure you, not by conscious choice but rather Foghat putting the CD player on one-track repeat when he was listening to the new Counting Crows album the other day and I'll be damned if I know how to switch the thing back. By the way, I won't be held responsible for my dog's taste in music. As long as he limits his crap-listening to the hours when I'm not at home, well, that's his own deal with the devil and not my problem. Most people that visit Bricks Manor are impressed enough that my basset hound knows how to operate the CD player at all, but after I have Foghat make everyone omelets they usually forget about how impressed they'd been by the whole CD thing. Because they're too busy throwing up half-cooked omelets.

To be perfectly honest, I was so wrapped up in working on the development of my latest invention, a pneumatic fly-stunning air cannon, that I didn't even realize the song was on repeat for the first six hours or so. And by then my body rhythms had so completely melded with the song that I couldn't very well shut it off without risking serious epilepsy, so I rode it out until I fell asleep on the floor in a pile of freshly unwashed laundry. When I woke up, the song was still playing, but I don't count those hours in my total even though it thoroughly infiltrated my usual Driving Miss Daisy-themed dreams.

Before you start asking why in the hell I put that song on in the first place, let me explain that it's the only halfway decent track on the disc. The rest is all Bulgarian folk music and European techno, which is every bit as shitty as it sounds. The CD itself came in a Discman I bought for seven dollars at the Salvation Army, I didn't realize there was a disc inside until I got home. Even before this all came up the Discman purchase was revealed as a mistake, since I'd envisioned Foghat using it to listen to his shitty musical tastes in a way that didn't crawl up my own ass like a hungry banana slug. But if you've figured out a way to get a dog to wear headphones, you're handier with a roll of duct tape than Omar Bricks, that's all I can say about that.

Anyway, the song repeated for another hour straight after I woke up, by which time I couldn't even hear it any more, it had so completely rewired my internal landscape. But then the CD started skipping, probably the disc glues coming apart after so many hours of constant spinning, and the skipping music was causing Foghat to freak out, running around and pissing on everything at a slightly higher rate than he normally does. I had to get the disc out of the player with the toilet plunger, though from the way Foghat looked at me there was probably an easier way, maybe a button on the CD player or something. I don't pretend to have a PHD in consumer electronics.

At first it was a relief that the music had stopped, but then I started to feel my insides twist around like two snakes at an orgy, and I began to feel an irresistible compulsion to drive my life away. It was sort of like that scene in Naked Gun where Reggie Jackson gets hypnotized and runs around shooting everybody with a machine gun, yelling "Say hello to my little friend!" It was like my brain wasn't my own, I was just holding onto it while a buddy was in the can. Before I knew it I was behind the wheel and out on the open road, with Foghat riding shotgun. Then I put the shotgun in the back seat because I'll be damned if that dog hasn't been freaking me out with his marksmanship as of late.

All was well out on the open road, except for the fact that I didn't have any Eddie Rabbit tapes in the car, and none of the Mexican oompa-oompa tapes that came with my car were scratching that itch. This distracted me so much I didn't even realize I was driving to Nashville. I'd had some vague visions of Vegas in my head, maybe the sunset strip or Baja California... in all honesty it wasn't that well-planned of an excursion, but I think Nashville is too harsh a punishment for such minor indiscretions.

Everything you've heard about this place is true: it's full of rednecks, everybody moves slower than Ed McMahon getting up off the couch, and everyone's got real shit taste in music. Not to mention the high asshole-to-Bricks ratio. When I cruised the Bricksmobile IV through the pedestrian entrance at the CMA Music Festival, you wouldn't believe the number of assholes who were yelling at me to turn down the Mexican polka tunes. Look, Slocum, you think I'd be listening to this shit if I could get it out of the tape deck? I left the toilet plunger at home and I don't trust Foghat with that shotgun after he tried to use it to open a can of Kibbles 'n Bits back in West Virginia. Don't hate a player just because you weren't smart enough to get around the cover charge, Hoss. You'll get yours when I get behind the microphone on the main stage. Bricks out.

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