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Supreme Court Rules on Gay Marriage

July 7, 2003
Washington, DC
Dan Fathead
An impressive-looking building where if you shook it, judges might fall out
F
ollowing last week's landmark sodomy decision that opened the door for Americans everywhere not to be white Christian fundamentalists, onlookers have waited with baited breath for the other shoe to drop as the Supreme Court passes judgment on the controversial topic of gay marriage. That shoe came sooner than expected yesterday, when the high court handed down a ruling that many anticipated but few wanted to admit: "Yes, marriage is really gay."

"Marriage is like, something chicks invented to make sure guys don't have any fun," explained Justice Anthony Kennedy in his majority opinion.

"So you're saying I've got to support you financially, pay for a bunch of foofy-ass furniture I don't want, raise some snot-monster kids who live to piss me off, and I don't get to ...Read more...


Hamburgler enters FBI 10 Most Wanted after record 400-burger heist

Saturn moon Titan, covered in liquid gas, may soon expect U.S. invasion

Lawmakers tour Guantanamo prison, Cuban strip clubs and bars

Bush's MySpace Page Traffic Way Down



April 1, 2002

Click for Biography

Who Put the Bomp in the Bomp-Ba-Bomp-Ba-Bomp?

It's a question that I get asked on a nearly daily basis, and understandably: just what in the hell was wrong with American music in the 1950's? History has it that the 1960's were the decade of recreational and experimental drug use, citing such examples of delusionary flakery as Jefferson Airplane's White Rabbit, The Beatles' I Am the Walrus and Gregg Allman's hair. And while I wouldn't argue against these as prime examples of pharmaceutical excess, they pale mightily in comparison to the near-psychotic mutant trend of late-50's doo-wop music. John Lennon may have envisioned Mean Mr. Mustard dripping from a dead dog's eye, but even this game of Clue gone horribly wrong looks downright pedestrian next to a jabbering psychopath questioning who exactly put the ram in the rama-lama-ding-dong.

Like a drugged-up visitor from deep space, doo-wop appeared seemingly out of nowhere, holing up in the chests of America's great pop stars in the late 50's and early 60's. From this parasitic enclave it communicated with the world through a bewitching combination of di-dits, bompa-bomps, ding-dangs, shooby-doos and doh-dohs. Why did it come, and what was it hoping to communicate to us? Nobody knows, though our best guess is that it had to do with seeking therapy for a stuttering problem.

The earliest known recording of the mutant doo-wop style was the Orioles' 1948 tune It's Too Soon To Know. During the recording of what was, by all reports,...Read more...


º Last Column: Make Mine Nougat
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May 26, 2003

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From Lute to Guitar: A Guitar Primer

Recently a famous musician friend of mine who will remain anonymous, his first name Beck, asked me, "Yo, Griswald—the guitar. What the dillio?" From these utterances I constructed a crude sentence asking me the history of the guitar, and it's a good one. For centuries no instrument has been strummed more by drunken frat boys to woo underage poontang to a house party. It is America's instrument.

The basic design came from an instrument in the Dark Ages. The Dark Ages were so called namely because pretending you were smart would get your lights punched out by the unenlightened masses everywhere—it was like our modern-day Washington D.C., though the tie had yet to be created.

The original design is believed to be the creation of Johann Crunch, who later went on to invent a cereal while serving in the military. Crunch had kids that would not shut up, yet he found by pulling his wife's hair taut and plucking on it to make sounds he could lull them to sleep, and keep his wife in line. All this went in the crapper, however, when Crunch's wife died of a self-inflicted arrow wound. Not wanting to lose his ace in the hole with the kids, Crunch put her head on the end of a broom and tied the hair to the other end. This allowed him to create complicated chords with his left hand, like Gmaj7.

Upon his death, the guys who killed him made off with the strange instrument, which they called a lute, because they were uneducated and couldn't spell...Read more...


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Quote of the Day
“Fool me once, shame on you. Fool me twice, even more shame on you! Big fooler. Fool me three times… man, that brings back memories. Reminds me of when you made me drink that urine one time.”

-Vick-O Martini
Fortune 500 Cookie
That heart attack medicine may be making your penis smaller, so just for safety's sake, stop taking it altogether. Learn to play the guitar this week; it's just another good reason to carry out that plan to kidnap Dweezil Zappa. Remember, passing gas in an elevator is not only rude, it also slows down your arrival time by up to 2 seconds.


Try again later.
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Last IssueLast Issue’s Lead News Story

North Korea Pissed Their Real-Life Hunger Games Nowhere Near as Popular as Movie

View Past Columns
BY Roland McShyster
12/13/2004
Greetings, America! I hope you enjoyed the trip and didn't encounter any disturbing horse porn on your way over. We're here, as we always are, time without end, to lend a judging hand as Hollywood turns its head and coughs up another week's worth of ripe, ripe shwag. So let's waste no more time before scraping together Hollywood's best efforts with the side of a credit card and exposing them to the cold, cold light of day, shall we?


In Theaters Now:

House of Flying Buggers
The most depressing of the many downsides to the recent kung-fu swordfighting movie epidemic has been the new life breathed into the unfortunate "Redneck Karate" subgenre. Aimed at audiences who like powerful ass-kicking without all the mystical crap or Chinese...Read more...

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