iMac Fired for Controversial Comments

n a victory of mankind over machine, and a blow against white computers co-opting the language of African-Americans, hot-shot radio talk show host iMac was fired Thursday following the uproar caused when it resorted to the use of a derogatory racist word to describe members of the Rutgers women’s basketball team.

iMac, ever on the cutting edge of political issues and social taboos, had stuck his extendable monitor out too far this time, according to some critics, and while some defenders claim it had said worse in the past, this time its simulated big mouth proved too much as it was fired Thursday by CBS, only days after it had been suspended for the same comments.

Ironically, iMac’s damned comments came during its defense of a fellow shock jock who had been blasted for similar racist slurs against the team.

"I can’t understand why Don Imus is being taken to task for the use of the phrase ’nappy-headed ho’s," said iMac last Friday morning on his talk show, to co-host Casio Demo 5000. "Black people have been saying the same thing for years. On their own sitcoms, on their rap albums, and all my black friends use the same phrases—it was a remark made in good fun, and they’re accusing him of being a racist just for saying it? That does not compute. They’re acting like he called them n****rs."

the commune should point out that we don’t edit our stories for offensive content, and iMac actually said "n****rs." Some listeners had to adjust their radios when they heard the confusing sound of several asterisk sounds.

Despite his odd self-censorship, shock and outrage was instant and vehement. Immediately a backlash erupted and opposition joined against iMac, led by former presidential candidate Al Sharpton, who described himself as an "outraged former iMac user." iMac programmers swiftly responded that the heated remark was part of a software glitch, and though iMac itself apologized for the remarks, the bandwagon had already started decrying iMac’s dated language as "obsolete."

"Just because this is the kind of language iMac is capable of reading and playing in the form of African-American gangsta rap MP3’s, it doesn’t mean that kind of language belongs on the airwaves," Sharpton critiqued Tuesday. "iMac has many listeners and a place in the public eye, and that means a responsibility to use language more befitting the airwaves. Such language is not user-friendly."

iMac’s initial punishment was a two-week suspension, then losing his basic cable broadcast of his radio show on MSNBC. However, protest continued to build against the ultra-Caucasian personal home computer, and the controversy reached its climax Thursday with iMac’s firing. The firing itself was met with mixed response, as opponents of iMac described the termination as an unwanted result, and iMac supporters objected to what they called an overreaction of CBS.

"iMac has long been performing in this same way, and the most recent comment comes as no surprise to users familiar with his quicktime delivery style," said Sirius radio host Windows XP. "What bothers me is this personal firewall being erected between us core systems and common user interfaces. Is anything we say going to become controversy now?"

iMac had hosted his syndicated radio show since its creation in 2002. Users flocked to the radio host, impressed with his comfortable manner and graphic style of operating.

Senator Wins Lottery, Quits "Shitty Job"

the commune's Fall Gadget Guide

Bob Barker Ceases to Exist After Retiring From Television

Tree Bark Face Turns Out to Be Likeness of Jesus Lookalike Vance Waxman

Recently a famous musician friend of mine who will remain anonymous, his first name Beck, asked me, "Yo, Griswald—the guitar. What the dillio?" From these utterances I constructed a crude sentence asking me the history of the guitar, and it's a good one. For centuries no instrument has been strummed more by drunken frat boys to woo underage poontang to a house party. It is America's instrument.

The basic design came from an instrument in the Dark Ages. The Dark Ages were so called namely because pretending you were smart would get your lights punched out by the unenlightened masses everywhere—it was like our modern-day Washington D.C., though the tie had yet to be created.

The original design is believed to be the creation of Johann Crunch, who later went on to invent a cereal while serving in the military. Crunch had kids that would not shut up, yet he found by pulling his wife's hair taut and plucking on it to make sounds he could lull them to sleep, and keep his wife in line. All this went in the crapper, however, when Crunch's wife died of a self-inflicted arrow wound. Not wanting to lose his ace in the hole with the kids, Crunch put her head on the end of a broom and tied the hair to the other end. This allowed him to create complicated chords with his left hand, like Gmaj7.

Upon his death, the guys who killed him made off with the strange instrument, which they called a lute, because they were uneducated and couldn't spell "loot" correctly. As one became more proficient with the lute, they formed the world's first modern band, though of course they could never find a reliable bass player.

The lute was mass-produced by monks, and the first design change was to start making it out of wood rather than maiden's skulls, a more cost-effective manner of production, and to use nylon and silk for the strings, for a more sensual plucking style.

The Dark Ages gave way to the Middle Ages, then a brief period called the So-So Ages, often unmentioned in history and a lot like our 1970s. As all this progressed, the lute became England's most popular instrument, and was also imported to Europe where it helped create primitive Goth Tech bands in Germany. By the time America had its independence from England and its natives, the lute had been extended and transformed into the guitar, so called just because lute sounded stupid. A modern descendant of the original Guitar family claims his six-times great-grandfather (though friends say he was only half as great as built up) is the one to have created the first guitar, because his long arms would get cramped trying to play "Love to Thee Maidens" on the lute and his frustrated picking style resulted in the frequent breaking of strings.

By the early twentieth century, the refinement process for steel had become so fluid they could make aluminum foil and guitar strings. Since they already made the strings, guitar players went ahead and decided to try putting steel strings on the guitar. Though they hurt like hell to play, the twangy-twang sound allowed the creation of country-western music, which is often referred to as "strike two" against steel strings.

In 1951, extremely bored with the Ozzie-&-Harriet world around him, musician Freddy Fender attempted to create the world's first electric guitar. It didn't necessarily sound like a good idea, but was part of Fender's ongoing attempt to make an electric everything. Though his electric shoes caused calluses and toe rot and his electric water balloons killed instantly, Fender had apparently found his niche and lodged himself quickly inside it with the electric guitar. He made a fortune selling pickups and amplifiers alone. He also opened the door to Peter Frampton and other musicians who couldn't play a regular guitar to any degree of interest.

Today, you'll find an unplayed guitar in nearly every closet across this great nation, and it's no secret why. I put them there.

º Last Column: Colonel Gandhi's Chicken
º more columns

Dorothy said there's no place like home, but I would say that wartime Yugoslavia can't be all that different. No, dudes, I'm not a homebody. My thoughts don't turn to charming holiday gatherings around the fire with the ones I love since it usually involves a lot of alcohol and the fire involves the firecrackers someone tried to light by cooking them in the oven.

I would say my family's strange, but that's everybody's family. My family is homicidally manic-deppressive—there, that at least sounds more original. Seriously, my family is always happy when I come back to Bellmont for Christmas, but catch any of them on the right day and they're happy when the mail shows up. They're fundamentally unhealthy enablers of every drug habit you could name and they derive pleasure from each other's pain. Which is all fine, since that's how I am, but it's real dangerous to put us all in the same place.

First, there's my dad, Fozzy Coleman—dad somewhere got the impression that he was black, and even more odd, that he's Ike Turner. Dad rules the house with an iron thumb, an iron thumb being some gardening device he got for Christmas 20 years ago that spreads mulch. My favorite holiday memory of dad was that year we converted to Judaism. Mom made soggy cornbread and accidentally poisoned the turkey gravy with make-up remover, and when dad found out he was so pissed he threw the menorah like a trident and it stuck in the wall. The bright side was that it worked so well we use it to hang the Christmas stockings still.

Then there's my mom, who's great when she's sober, if you can be there during that time from 8 to 8:15 a.m. When she gets drunk she says all the things normal moms only think, like, "I had plenty of chances to drown you, Clarissa," and, "By my calculations, you still owe us about $359,000—oh, what, you thought the room and board were free rides?" My mom's name is Bunny, but dad always calls her Bunny Coleman like it's one word. Like, "Bunnycoleman, who ate all my fucking French toast?" Or, "Get my bath ready, Bunnycoleman."

It's hard to complain about my brother and sister, they're not really to blame for anything—between having my parents for their parents and having my shadow to live in all their lives, it's amazing they aren't screwed up.

My brother, Randy, doesn't let us call him Randy anymore since he joined that cult in the compound next door to mom and dad. At least he didn't have to go far to get brainwashed. He prefers to be called Toot now, and he's actually pretty nice, the nicest one of the bunch. He curls up in a ball and chants whenever mom and dad fight now, he tells them they have bad Chaka Khan or something, some kind of karma rip-off the cult made up, and the worst thing he does is steal from mom and dad to give to the cult so they can build that glass temple of theirs. Which is all fine by me, I never take more than $20 home when I go anyway.

My sister's a bit more peculiar. She never had the looks or talent to be an actress like me, so she was driven into this weird-ass obsession with grades and scholarships and stuff. She went to Harvard like that Good Will Hunting guy and majored in lawyering. Now she works for the ACLU and writes books on feminism in her spare time, really spaced-out shit. She doesn't come home too often, actually, but she sends self-help books and fruit baskets.

I guess, more than anything, this time of year is about forgetting your family is clinically sociopathic and learning to keep your temper in check long enough to sit down for a single Christmas dinner. To gather around the tree, open up crappy presents, and pretend you like at least one of the things. To sleep in your old room and act like you don't hear your dad getting nasty with your mom, shouting, "Take me to town, Bunnycoleman!" in the room right next door. But at least when you hear that, you know it's just another ten minutes until everyone gathers in the living room around the kitchen fire and opens their presents. And that's as much family as anybody gets these days.

º Last Column: Colonel Gandhi's Chicken
º more columns