he small remainder of the world that follows the news applauded the escape of more than 200 Iraqi hostages Thursday, who freed themselves from an unidentified terrorist group in the heart of the war-torn country. Just outside of Fallujah, U.S. military discovered a traveling band of 40 or so escaped hostages, and within hours began to receive word of other hostages who had also escaped the same small terrorist encampment, numbers totaling 213 freed hostages, who credited their successful escape to U.S. Army Captain S. Hilts.

Hilts, who was debriefed by U.S. military officials but did not speak directly to the ravenous western press, said the escape was the result of weeks of planning, tactical distraction, digging, and the production of some high-quality potato moonshine. Instead of taking credit for the escape himself, Hilts remarked on the bravery and ingenuity of his fellow hostages.

Added Hilts: "It's the duty of every freedom-loving military man to work day and night to escape." The statement marks a drastic turnaround from hostage philosophies of the past, including 1980 Iranian hostages Commander Shears, who was intent to ride out the situation without drawing attention to himself, or British Colonel Alec Nicholson, who actually aided the Iranians by building a bridge over a local river to aid terrorist movement.

Who exactly is Capt. S. Hilts? A son of an Indiana mechanic, Hilts served in the Army in both the original Gulf War and its poorly received sequel. Hilts was among the 213 hostages, both military and civilian, who had been abducted in recent weeks by terrorists believed to be allied with either Al-Qaeda, the Saddam Hussein loyalists, or one of the other 300 groups who simply like to kidnap and kill westerners. Hilts had been used as leverage in video taped messages urging the freeing of all Iraqi prisoners. While this strategy has traditionally worked remarkably well against all sorts of enemies, this time there was little to no response from U.S. or coalition governments. The lack of reply might have something to do with Hilts' outburst in the final frames of the video tape:

"Listen to me!" shouted Hilts, tossing aside the written statement he had started to read, standing up and resisting efforts of jackbooted Iraqis to hold him down. "We're Americans! We don't roll over and do something when we're at the end of a gun! Don't worry about us! We'll be alright—we're gonna walk out of here one day, into a free land and back home to our wives and families. You hear that, Susie? I'm comin' home to you before you know it!"

Though the tape abruptly ended, the message was clear: America didn't plan on being pushed around by the huge terrorist machine.

And sure as his word, Hilts was found wandering the desert, looking to reconnect with his unit as soon as possible. But not walking as he had promised, but riding a state-of-the-art Iraqi military motorcycle, with which he jumped the walls of the compound. According to the U.S. soldiers who recovered the escaped hostage, Hilts' first job was to eat a hearty plate of pork chops and apple sauce while giving military intelligence all the information he could about his captors, a group of 15 or so terrorist insurgents who actually did a keen job of keeping 200+ Americans hidden in a detained area of an occupied country.

What's next for Hilts and his fellow escapees? "I guess we'll be going back into service, those of us that can. We've got us an occupation to win!"

ulshitzkizu, the Eastern European principality best known for its unjust laws and shoddy exports, shocked no one this week by taking home a record twelve gold medals, despite never having even been visited by a black person in the nation's entire 314-year history.

The 2006 Whiter Olympics continued as expected all week, par for the course for an event designed expressly to reward behaviors no self- respecting black person would be caught dead engaging in, like running your fool ass around out in the cold as if you haven't got any sense at all.

"The Winter Olympics were invented in 1964 as a way for whites to make up for losing all their medals to black athletes in the summer games," explained Olympic racism expert Tyrone Blackula. "They had to make up a bunch of sports black people had never heard of, like hockey, and other events where, by the very color of their skin, black athletes would be at a disadvantage, like Naked Snow Hiding."

The thinly-disguised ruse came to a head in 1988, when pressure from the 2/3rds of the world that isn't even invited to the Whiter Olympics forced the token inclusion of the Jamaican bobsled team during the Calgary games. Predictably, the Jamaican team was unfairly penalized for attempting to push their bobsled up the run in record time, a perfectly reasonable misunderstanding of the event's rules for anyone not born in Norway.

Bulshitzkizu neighbor Upper Scamistan also took gold medals this week in curling and other white man cold-weather hobbies too silly to name. Experts on white people agree that U.S. is likewise heavily favored in the upcoming ice farming competitions and the always popular 400-meter skin bleach.

Network executives for NBC have been bitching and moaning all week about the poor ratings for their cherished little white sports love-in, which has rated even lower than reruns of old black-and-white television shows like Leave it to Beaver. Or, as they would be more accurately known, old white-and-white television shows. The Olympic ratings have suffered due in no small part to the network's staunch refusal to dye any of their preciously white Olympic snow brown to make audiences of color more comfortable with the proceedings.

Though it hardly qualifies as news, no black athletes have yet been spotted in Torino, the closest being American downhill skier Bode Miller, who once accidentally kissed a black chick in the dark at a party. Though event organizers are said to have been divided over the decision to invite the racially-mixed United States to the Olympic Games, arrangements were made to ensure that the only American entrants would be from the black-free states of Minnesota and Vermont.

In a desperate last-ditch effort to boost ratings, NBC has begun to refer to Australians as the "honorary black people" of the 2006 Olympics, due to their poor showing and the arid climate of their home land. But word on the street is that the network originally wanted to save that designation for Chechnya, had the embattled Russian province been able to take a break from getting screwed over long enough to field their own Olympic team.

Dudes, us rock 'n' roll die-hards can longer lie to ourselves: Rock 'N' Roll is dying.

Who among us is a music doctor, a hard rock Dr. House, who could diagnose when exactly rock 'n' roll contracted its fatal disease? It might have been the first time Richard Marx released his first album, or as late as when Russell Crowe thought he had the balls to rock. And no doubt we can put a lot of that blame on the cancerous influence of corporations. These modern corporations are leeches who suck the life right out of rock 'n' roll, nothing like the good corporations who gave the Who, the Rolling Stones, the Sex Pistols, and Pearl Jam before their big wide-release breaks.

The way I see it, we have two choices: We can sit back and wear black kerchief armbands and piss and moan about the death of rock 'n' roll—or we can save it. Guess which one Derek Zomny is all 'bout.

I speak the fothermuckin' truth when I say I have the one band that can save rock 'n' roll. I'm not so different than Jon Landau in Rolling Stone years ago, saying with certainty, "I have seen the future of rock 'n' roll and his name is Bruce Springsteen." My case is exactly the same, except for Rolling Stone had readers. Also, I am in the band that is the future of rock 'n' roll: Face Mask.

Despite being the lead singer/songwriter/lead guitarist/manager/van driver/owner for the band Face Mask, I have no bias when I say we are the best fucking band out there right now. When people ask me what is our sound, I say pure fucking beauty, man. We aren't like other bands and we refuse to sound like them. We aren't like these other bands that came to save rock 'n' roll but just kipe the original sound of some other band. Oasis? Puh-leeze. They're sub-Beatles. The Strokes? The Velvet Underground meets the Buzzcocks. We sound like the band Jesus would have had and nothing else.

Like any band, we had to start by playing covers of our influences. Josh (rhythm guitar, though sometimes the lying prick will tell girls he's lead guitar, as if) was really into the Edge a long time ago, but now he listens to mostly Clapton. So we worked "Sunday Bloody Sunday" into our repertoire. Nash, our bassist, has always been a big Rush man, so we had to play "Tom Sawyer," and since him and me both like the Zep, and I could do the shit out of a scream, we covered "Immigrant Song," too. We used to have a big fat drummer named Sticky Pete, too, and he made us do some Primus shit we weren't into, but we kicked his ass to the curb for a more photogenic dude on skins, Clint Warhawk. He's not an Indian, but fuck if you can tell that. And he's really into Guns 'N' Roses, so we added "Sweet Child O' Mine" to our latest set list.

I don't have to tell you guys, however, that the real test for a band is their original material, and nobody has the fucking original material we do. I write songs like John Lennon and Paul McCartney were locked in a fucking room with Kurt Cobain and Bob Dylan. You go into that room and maybe you find nothing but blood and entrails and a pile of pure genius songs, that's what it's like in my composition book where I compose.

Songs like "You Don't Bring Me Malt Liquor," "Tongue Death," "Fancy Fucking Girl," and "Trip on This Shit, You Cock" (an instrumental, but not because I couldn't think of lyrics) will go down into the rock history books next to "Eleanor Rigby," I guaran-fucking-tee you.

This may all seem like cocky boasting to those of you who haven't heard us yet, but I swear, Face Mask more than lives up to the expectations I give you. And anyone who doesn't believe me, and will be in the Richmond, Virginia area May 25 is welcome to come to Thomas Jefferson High School on prom night and see the future of rock 'n' roll, alive and kicking. We also do stage-diving.

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