acists and peckerwoods everywhere trembled as their vaunted white power fizzled out into nothingness Thursday, surprising only those blind to the inevitable fall of empires everywhere. The absurdly-called "blackout," which started in the middle of the day during perfect daylight, plunged major northeastern urban areas into a state of non-electricity, which the white media presumably prefers to compare to "primitive" black culture with the derogatory "blackout" term.

The twin Northern American albino evils, the governments of the U.S. and Canada, both spent the day blaming each other for the power failure instead of spending their time fixing the power. The working classes and underprivileged were left in the dark Thursday night, with Friday night also no luckier in getting the power turned back on in some areas. White media was "delightfully surprised" that the non-white citizens left in the dark during the night didn't spend all their time looting their own stores and robbing white people—you know, acting civilized. As you know, when non-whites rob white people, it's anti-social crime; when whites rob everyone else, it's called capitalism.

New York City mayor Whitey Whiteberg praised New Yorkers for helping each other out and not killing each other like savage animals, then went home to his out-of-state mansion or high-grade penthouse with the gasoline-powered generator or whatever digs he shammed the people out of. Meanwhile, underprivileged suffering classes in Detroit went home to unbearable heat without power Friday night. Areas of New York, Connecticut, and Ohio with their power restored were forced to refrain from air conditioning in the record heat wave.

Rumors abounded in the immediate wake of the power failures. Though the most likely source of the catastrophe is now pointing to three failed transmission lines that eventually took out the Niagara Mohawk power grid, probably stolen from early industrious Native Americans, alternative unfounded causes were spread through the Internet and urban legend grapevine. Some blamed the power outage on a threatening Internet worm that managed to topple all the nation's power grids, the equivalent of blaming it on the Candyman. Most Americans were more anxious to blame it on the brown people of the Middle East, known as terrorists for not believing in the white man's God.

President and ranking redneck George "Whitey" Bush promised the problem of the electrical outage would be investigated and, if possible, enslaved and oppressed. He went on to call the electrical power grid system "antiquated," though how that makes it different from other revered elements of white culture wasn't explained by the inferior president.

Professor of African-American Electrical Engineering and frequent drinking buddy of this reporter Muhammad Bari offered more realistic interpretations of the grid power failure.

"It's clear the fatted citizens of Rome have trusted in their failing empire far too long," said the six-time winner of home Jeopardy! "The sacred calf is ripe for slaughter, and the time for the reign of a noble citizenry is nearly upon us. Now, I'm not suggesting we go out and rip down Con Edison and the White House or anything, you know. I'm just saying, in the eyes of the great and worthy Allah, we as wage slaves built this city on rock and roll and it's ours to do with as we please."

The white president refused to comment on these perfectly legitimate questions, proving who he's really serving.

espite sounding like a hilarious urban legend, a recently published biography of American actor John Wayne has revealed compelling evidence that Russian dictator and mustache enthusiast Joseph Stalin attempted to have Wayne killed on several occasions in the 1940's. Evidence suggests that Wayne's passionate anti-communist stance infuriated the dictator, whose commitment to going totally batshit in the later years of his reign found him at odds with the American icon.

Several unorthodox attempts were made on Wayne's life during the 1940's and early 1950's, when Stalin ordered Russian spies dressed as FBI agents to kill Wayne by serving him a blueberry sandwich.

"Stalin was terrified of blueberries," commune research editor Griswald Dreck explains. "The KGB wanted to off Wayne by strangling him with piano wire or planting an explosive belt buckle in his wardrobe, but Stalin considered blueberries to be far more deadly. Needless to say, it both angered and terrified him when Wayne thought the sandwich was delicious and sent his agents out to get another one. That's when Stalin started turning to voodoo, since Wayne was obviously some kind of supernatural deity."

Unfortunately for fans of espionage humor, Stalin's various attempts to kill Wayne, including incidents involving a large safe dropped from a high-rise building and enough chili powder put in Wayne's food to cause him to butt-scoot all the way to Mexico while swearing in Spanish, came to an end with the dictator's death in 1953. Stalin was succeeded by Nikita Krushchev, a Wayne fan who bonded with the Duke (born Marion Morrison in 1907) over both of them having to act tough in spite of having really girly names.

Krushchev even met with Wayne in 1958 to reassure the star that Russia's bumbling attempts to kill him had been called off, though he did advise Wayne to be wary of Stalin loyalists who might still attempt to pillow-fight him to death. He also warned the star not to use any toothpaste that smelled like hemorrhoid cream, another common Stalin-era assassination tactic. Wayne was reportedly a little disappointed by the news, since dodging inept Russian assassins over the years had replaced golf as his favorite hobby.

Previously unpublished excerpts from Stalin's diaries indicate the many and varied fantasies the Russian leader indulged concerning Wayne's death. One of the most memorable involves a quick-draw shootout on the streets of Dodge City, where an impeccably dressed Stalin out-draws the Duke and Wayne's gun fails to fire, instead spitting out a little flag that says "ÂÄ�ÓÃ!"

For more on Joseph Stalin, Griswald Dreck recommends reading the biography "Stalin: The 'Crazier Than a Pope Streaking Through Harlem' Years" once it has been written and published.

The gaudiest fad of the 1950's had to be the 3D movie. The early 50's were a desperate time for Hollywood studios, as audiences were staying at home on their big fat asses in record numbers and movies were faring poorly in competition with television and communist witch hunts. Studio execs were willing to try anything to get more people into the theaters, even toying with the notion of making films that weren't big fetid balls of dung. But before they could go that far, the studio heads at Universal discovered that they'd accidentally made the same movie twice.

Universal had bankrolled The Hungry Jungle, which featured a young Charles Bronson running like hell away from man-eating tigers for two hours, and at the same time they had inadvertently financed D.A. Steuben's cannibal tiger picture Run Like Blood. Rather than shelling out promotional funds for both films to wastefully compete against each other, the studio decided to play both of them, simultaneously, on the same screen. That way they could cover up their gaffe while boasting twice as many stars running away from twice as many man-eating tigers in one movie. Like I said, these were desperate times and it should be noted that back then, guys couldn't hold their liquor.

Unfortunately the "movie" didn't make any sense when played this way, but this was only a minor setback. A young Universal intern soon discovered that thanks to poor quality control each of the films was tinted a slightly different color, and if you watched the composite film while wearing a pair of the red and blue "Wacky Glasses" given away free in boxes Oat Shmote kids' cereal, it came out kind of sort-of in 3D. The intern was thanked for his input, then immediately fired since he was obviously stealing from the studio to be able to afford drugs that good.

The idea stuck though, and the composite film Hung Like a Jungle was released in 3D as a promotional gimmick in 1952. The movie was a gigantic hit, with the 3D technology making audiences sicker than a dog on a Ferris wheel, an experience many filmgoers petrified by the boring 1950's seemed to enjoy. All summer long, audiences suffered through a kind of nausea they wouldn't experience again until The English Patient was released in 1996. The trend caught on like wildfire, and fifteen more films were released in 3D during the next three days, most of them soft-core pornos. Unfortunately for Hollywood, 3D movies were soon banned since public health officials couldn't be convinced that hundreds of moviegoers spending two hours drenched in their own vomit was just good clean fun.

Deprived of 3D cheesecake by The Man's uptight cronies, American youths in the 50's were eager for a new thing to come along and waste their time. Thanks to Australian DUI king Chuckie Dubing, they didn't have to wait long. Dubing discovered the boomerang while pulling the body of a dead aborigine off the hood of his car during a drunken one-man rally race through the outback one night in 1953. The strange crooked stick struck Dubing's fancy, and he extrapolated that it must be a hunting stick used to kill wild game birds in the bush. Dubing further extrapolated that its crooked design must allow the stick to curve in the air and return to its thrower, and this is the concept he sold to Wham-o later that year. In actuality, the aborigine was just carrying it because he wanted to show his family the funny crooked stick he had found under a tree.

Regardless, Wham-o mass-produced copies of the stick as a children's toy, and within a year millions of "boomerangs" (the name came from Dubing's approximation of the sound the aborigine made hitting his car) had been sold despite the fact that nobody anywhere had ever had one fly back to them after being thrown. Wham-o deserves a great deal of credit, however, for recognizing that few would risk appearing physically inept by claiming that the boomerang just flew kind of lopsided and herky-jerky into your neighbor's bay window every time you threw it.

Probably the only 1950's fad that ended up being worth three-quarters of a damn was the PEZ dispenser. The candies themselves had been around in Europe for twenty years, sold hilariously to American tourists who didn't know PEZ was the German word for piss. It wasn't until 1952, however, that Germany got revenge on America for kicking their evil little asses by marketing the PEZ candy in irresistible dispensers with the heads of popular political figures on top. Before long, Americans couldn't help themselves but eat candy out of Franklin Roosevelt's neck, making true Hitler's cryptic vow from 1941 that nobody had understood at the time. Eventually over the years, political bitterness died down and American children were eating candy out of Henry Winkler and Kermit the Frog's necks as well, continuing a bizarre tradition that rivals any of the crazy shit the Orient ever dreamt up.

That'll have to do for the 50's, although I wanted to go into how they pulled the first batch of Silly Putty out of a Yak's ass; there just isn't time. Keep an eye peeled for future columns, when we'll take a look at how other generations wasted their time between wars and the occasional worthwhile dance craze.

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