Georgia Man Makes Killing on Corpses

Zombies the growth industry of the young millenium

March 4, 2002

Noballs, Georgia

Junior Bacon

Entrepreneur Ray Brent Marsh gets product straight from the source

The secret to success," says entrepreneur Ray Brent Marsh, a prominent figure in this small town in Georgia, "is finding a need and filling it. And that's exactly what I've done."

Marsh is up for Georgia State Businessman of the Year, thanks to his aggressive campaign to corner the market on purveyors of the undead and newly-dead. With an inventory that numbers in the hundreds of bodiesâ€”"Hell, I've lost track of how many there are out there myself!" he laughsâ€”Marsh is miles ahead of his nearest competitors.

"Most of the suppliers in the past have been small-time operators, people like John Wayne Gacy, Ted Bundy, Andrea Yates... I've just taken what they've done and turned it into a large-scale distribution network."

Marsh paused to take a deep drag from the large Montecristo he was smoking, then spent a few moments staring at the considerable ash and reflecting on his new-found success. "You'd be surprised how much demand there actually is for my product," he went on to say. "Down in New Orleans, you've got your Marie Laveaux voodoo wannabes, they're always looking for fresh meat, so to speak. And down in Haiti, you've got your Tonton Macoutes. Hell, they can't get enough of my product. I can't ship them out fast enough for that bunch. And then further down, in the smaller islands, there's always a demand for what I've got to sell. Always will be."

"The thing you've got to realize is that it's cost effective for these folks. I mean, all you've got to do is feed these bodies a little of the zombie cucumber, cut the head off a live chicken, do a little chanting and dancing around a fire, and boom, you've got yourself an obedient member of the undead, ready to do your bidding. No worries about coffee breaks or overtime, either. Yes sir, the market starts in the bayou country in New Orleans, and is active all the way down the Caribbean to Venezuela."

Asked about possible plans to expand, Marsh warmed to the subject.

"Oh, hell yeah!" he crowed. "I've been in negotiations with Kathie Lee Gifford for a few weeks now. She's looking for a new, more servile work force. Martha Stewart, too. And because these folks don't care where they're located, we're getting feelers from a lot of major corporations that want to move their operations offshore. They need cheap labor, and we've got the cheapest around."

Marsh then lowered his voice to a conspiratorial whisper and delivered his biggest news yet.

"Don't let this get around, but I've also heard from George Romero in the last couple days. Seems he wants to film yet another remake of Night of the Living Dead. He says this time, he wants the living dead to all be low-level employees of a big, high-profile energy company based in Houston."

"I'm gonna be in show business!" Marsh cackled. He then concluded the interview by stubbing out the Cuban cigar he had been smoking, putting a lid on the ashtray and offering it to this reporter as a "decorative urn."

As soon as we get off, the commune would like to buy its readers a Hurricane in a souvenir glass down at the Voodoo Lounge. Stigmata Spent would like hers in a to-go cup, please.

Russell Crowe Receives Oscar Nod for Role in Ben Gay Commercial

Academy hopes Aussie actor will notice them at long last

March 4, 2002

Hollywood, California

Ramrod Hurley

Russell Crowe, wishing he was birthing a sheep

n a move destined to boil the blood of the fourteen Americans who still associate the Oscars with outstanding achievement in film, the Motion Picture Academy of Arts and Sciences announced Tuesday that it has added a supplemental Best Actor nomination to the field for this year's awards.

The additional nomination was given to Australian actor Russell Crowe for his performance in a 30-second Ben Gay commercial from 1991, which featured Crowe touting the virtues of the medicated ointment from a locker room after a taxing squash workout.

Reaction has been swift and fast from film critics and movie buffs alike, who suggest that the Academy's butt-kissing of Crowe has reached an unprecedented level now that they have run out of film performances for which to nominate the actor.

Some feel that the academy jumped the gun when it nominated Crowe for the low-budget Aussie children's fantasy Roadblock and Wanker last year, arguing that they should have saved the film, which features the voice talents of a 16 year-old Crowe, in case he went a year without making a feature film in the future. Others point out that Crowe was already nominated in the same category this year for A Beautiful Mind, and that the commercial in question came out in 1991, technically making it ineligible for this year's awards. And even if it were, it wouldn't be since it was a commercial and the Oscars tend to be reserved for feature films. Many others feel that this level of praise is unreasonable for an actor who's basically Clint Eastwood with an accent.

The Academy had already come under fire in recent months for its controversial creation of the Kevin Spacey Perpetual Award, which honors American actor Kevin Spacey on a yearly basis. But even the harshest critics of that move suggest that it made a lot more sense than the Academy's constant sucking up to Crowe, who many feel represents a "cool, slightly-dangerous older brother" figure to Academy voters.

"Of course it's a controversial nomination," stated Academy spokesperson Emeril Juanna. "Everyone knows that, and don't think for a second that there aren't members of the Academy who think Russell's work in that 'Fast Actin Tinactin' ad he did in 1990 was the superior performance. But we made our choice and we could only choose one Russell Crowe commercial. This year, anyway."

Nominees for Best Actor are decided by the acting arm of the Academy, which consists of several-hundred industry people who have claimed to be actors at parties or when filling out product registration cards. Academy member and unemployed soap opera actor Kenny Middle attempts to explain the reasoning behind the Academy's unprecedented move:

"Well, I think you know how the ladies on the committee voted, so there's no need to go into that. And as for us guys, I don't know, you know? I think maybe there's a little part of each of us that thinks it would be pretty cool if one day we got to hang out with Russell, and his band 30 Odd Foot of Grunts. Maybe sit in on bass or something, you know? Maybe bum a cigarette and just hang loose. That's a factor that can't be denied. And really, at the heart of it all, wouldn't it just be awesome as hell to be Russell Crowe for a while? To have the famous chicks all over you like bimbos on a Kennedy? Getting fat paychecks and awards left and right just for mumbling your way through movies? And how about that roguish charm? Plus you'd get to cash in on the whole 'foreign guy' angle, which is huge with the ladies, without having to ever live in a mud hut or eat English food or anything like that. Instead, you run your own sheep farm or some bullshit like that and come off sounding like a real badass. And you look white as anybody else, so no problems there; you just get a cool accent and the credentials to back it up. Talk about sweet. So anyway, when you take all of that into consideration I don't think it's at all surprising that Russell got nominated again. We're all big fans."

the commune news is hip to the whole Enron thing, but doesn't need to hop on that bandwagon to feel popular. Ramrod Hurley is cool and all, but that Savage Garden song he's got on his cell phone ringer is really starting to get on everyone's nerves.

March 4, 2002

I've Had Plenty of Inappropriate Relationships

the commune's Clarissa Coleman is no stranger to high-infedility

º Last Column: Welcome to My Nightmare
º more columns

You remember back when that hillbilly president was accused of poking the office help? In the end he never admitted he got his jolly roger vacuum-cleaned, but he did admit to an "inappropriate relationship" with the lady. That's classy, man. Never say the fuck word. Oops, I mean F-word. I'd like to have an inappropriate relationship with a guy like that.

Not that I haven't had my share of inappropriate relationships. I've been saying it that way ever since I heard it, because I, too, am a class act. So here's a quick list of some inappropriate relationships.

A lot of smarmy journalists and water cooler gossipers always insinuate I had some kind of inappropriate relationship with the actor who played my father on Who's Your Daddy?, Brad Van Danner. That is entirely sick, people, he was in his 40s and I was only 8 or 9 at the time. It's also grossly inaccurate as the inappropriate relationship was with Chip Fleckner, who played my brother Chip. What a dumb dildo that guy was, they had to name the character the same name so he'd respond when you talked to him! Still, I was young and impetuous and he looked and smelled like that Huckleberry Pie doll.

It's legendary among the non-famous that actresses sleep their way to the top, and then back to the bottom, but I've never lowered myself to that, I'll say on record now. I have never slept with anybody, casting director, director, producer, actor, or anybody for a job that I wasn't going to get anyway, and I've made it implicitly clear before we go to town.

Around 1993 that alternative band Flat Chest had a moderate hit with that song of theirs, "Clarissa Coleman Gone Crazy." A lot of people think I had some kind of inappropriate relationship with the lead singer Dill Warner, but I assure you, he had a girlfriend and we weren't an item, even though it's obvious his girlfriend was a big lesbian and totally giving me a look, and I tried to tell him that. It probably adds to the confusion that I had an inappropriate relationship with the drummer of that band twice before he went on stage at Woodstock '94, though I assure you I thought he was the lead guitarist.

When I was on "Teen Stars Week" of Jeopardy, rumors abounded about me and Alex Trebek. Come on, people, he's like a hundred and I was a teen-ager at the time. Plus, he doesn't actually meet any of the stars until he's on set and has thick security around his dressing room. You'd think he's the president. Ooo, I'm Alex Trebek, I'm so smart and I know everything. Everybody knows you've got the cards with the answers on them right there, Alex, you're not the king of information about imports and exports of Mexico.

There was a year I was on the Conan O'Brien show regularly as a guest. I wasn't the "sit down" variety of guest, just the "walk on and eat Corn Flakes" variety of guest, I'm not sure what was so funny about it, Conan and the guys just get a kick out of seeing me eat Corn Flakes I suppose, and the audience loved it. Without saying too much, I wouldn't have minded having an inappropriate relationship with Conan, or maybe that delicious Max Weinberg. Andy Richter was pretty sexy, too, I like funny guys. I suppose I wouldn't have totally shot down that puppet dog that smokes cigars either, I wonder what the guy who does the puppet looks like. Anyway, I had a few inappropriate relationships there, but it was mostly with guys I thought worked for the show and turned out to be big fat liars.

Like the ex-hillbilly president, I'm not proud of my inappropriate relationships. Well, some of them, especially that one with the famous CNN guy who said he'd sue if I ever mentioned his name. They're all in the past anyway. Unless Conan O'Brien or Flat Chest's Dill Warner call me up again. Yeah, I'll play hard to getâ€”like cold sores are hard to get!

º Last Column: Welcome to My Nightmare
º more columns

Quote of the Day

“Immature poets imitate; mature poets steal. They have to, because let's face itâ€”you're never going to support yourself as a fucking poet, cheech.”

-B.S. Eliode

Fortune 500 Cookie

Expect a big upturn in your finances when a bag of silver dollars dropped from a skyscraper nearly kills you. People flock to your show when The New York Times calls you "Stomp for people who wish Stomp would just fucking die already." The court case is decided this week and you now legally have bragging rights. Lucky meat substitutes: Soy, tofu, tofurkey, a McDonald's hamburger.

Try again later.

Top Reasons for Increased U.S. Ladder-Associated Deaths

1.	"Up/Down" directions never specified
2.	Reckless Generation Y refuses to wear protective equipment
3.	Ladder-deaths portrayed so glamorously in the movies
4.	Frequent union strikes by staircases leaving human helpless to descend to higher landings except by already overcrowded ladders
5.	Direct correlation to 50% increase in all-blind-cast productions of Our Town

Americans Copying Shitty Music They Refuse to Buy

BY roland mcshyster

3/4/2002

Holy washed-up franchise, Batman! It's Oscar season and no lisping game bird is going to convince Roland McShyster otherwise. Pay no heed to the lies about Christmastime, the most magical time of the year is truly upon us. So let's get coked up to the gills and revel in the joy that is the month before the Oscars!
Here's your dossier on the bewildering list of nominees:

Best Picture

A Beautiful Mime -read EP review-

This film touched me in much the same way as last year's Requiem for a Dreamcast. Both were films made me stand up and shout back at the void: "Now THOSE are some ti...

Goosefart Park

Those loveable Animal House morons are back, and this time they're stuck at a quaint Country Inn in the small English town of Goosefart Park. A surprise pick for a Best Picture nomination, but you'll be hard-pressed to find a film this year with more beaver jokes. There's a lot of raunchy humour for the whole family, but this isn't a one-sided farce. The film also brings home the important life lesson that England is stupid.

In the Bedroom

It's a bold statement, but this is probably the best film ever based on a Cream song. To be honest, I didn't understand the movie any better than I understood the tune, (psychedelic interior decorating tips? And who buys black curtains these days?) but regardless, this flick is head and heels above Kevin Costner's dismal Aqualung.

The Lords of the Ring: The Fellowship in the Ring -read EP review-

This is the year gay boxing movies stepped into the mainstream, and there is no finer example than The Lords of the Ring. If a picture is worth a thousand words, and this isn't the best picture of the year, then that means there are a thousand finer words out there somewhere, and personally I find that disbelievable. This is one of those rare movies that grabs you by your manhood and sucks you off. Or in. And as the wizened old boxing trainer Gaydar says in the film: "Sometimes you choose gay boxing. And sometimes gay boxing chooses you." I couldn't have put it better, even with 989 more words and a Polaroid.

Mule in Rouge -read EP review-

Another surprise nomination for Best Picture, as the Academy seems to have a soft spot for screwball comedies this year. This time it's a loveable Talking Mule picture that gets the surprise nod and a wink. And I know what you're thinking, that they always nominate the Talking Mule pictures but they never win the big awards. It's like an unwritten rule. But this year things could be different since there's a lot of buzz under this donkey's tail and I hear the Church of Scientology is throwing it's Hollywood weight around to secure the golden flasher for this picture.

Best Director

Don Henley, A Beautiful Mime -read EP review-

Leave it to a former Eagle to take this tale of form-fitting mime costumes all the way to the limit. Sure, he could have taken it easy, but that's not Henley's style. Being the new kid in town, director-wise, he had a lot to prove, and I for one am hoping there's no heartache for him on Oscar night. Hopefully his film will leave Academy voters with a peaceful, easy feeling, and provide them with a place to hide their lion eyes.

Ripley Scott, Black Hawk Down -read EP review-

Every film this guy does without having a space lizard or whatever spring out of his chest is a triumph in my book. I'd really be pulling for him to take home the gold this year on that basis alone if it weren't for the fact that his movie had way too much pan flute music in it for my tastes. I mean, I guess it's a depressed-bird kind of instrument, but in my opinion you can take that too far.

Robert Palmer, Goosefart Park

Three years ago it was all about foreign dictators directing films, and last year it was about rock-band movies. This year the natural progression continues and it's pop stars turning into directors, and nobody was more surprised than me to discover that this pedophile-looking limey can direct a frat comedy like nobody's business. Both this film and A Beautiful Mime make me realize how far ahead of his time Terrence Trent D'Arby really was when he directed The Thin Red Line a few years ago, really the grandfather of pop star directors. Sure, the inclusion of Power Station's Some Like it Hot in Palmer's film was a little self-serving, but I have to admit it synched up pretty well with the scene where the morons set the Inn on fire.

Peter, Paul and Mary Jackson, The Lords of the Ring: The Fellowship in the Ring -read EP review-

What's more amazing than pop stars making the successful transition to directing feature films? How about entire bands making the leap? Scoff no more my friends, because it happened while you weren't paying attention. If these 60's folkamuffins can direct the best gay boxing film ever, I can't wait to see Metallica's directorial debut this summer.

David Lynch, Mulholland Drive -read EP review-

Sure, he's crazier than a shithouse weasel, but there's no denying that some people out there enjoy the scrambled brainbatter he yanks out of his rectum every few years. Personally, I liked his films more before he decreed that all film scores should be played by throwing live fish at a piano, but you've got to admire his creative vision.

Best Actor

Russell Crowe, A Beautiful Mime -read EP review-

Really rubbing the charm thin after his role in Almost Famous, Crowe serves as a cleavage-blocking impediment to an otherwise arresting film. Back to the Louvre with you, Frenchie.

Sean Penn, I Am Sam -read EP review-

Leave it to a balls-out amazing actor like Penn to garner an Oscar nomination for the smallest of roles. Some may argue that his cameo as the fox in the box was too scant a role to deserve the Oscar nod, but I ask you this: did you ever doubt for a second that that there was really a fox in that box where Knox would not eat the green eggs and ham, would not eat them Sam I Am? I rest my case.

Geoffrey Rush, Lantana

Who?

Mr. Smith, ALI -read EP review-

Talk about taking a boring film and driving it right into the dull, lifeless ground! This is it. The American Law Institute could have salvaged some shred of an audience's attention by casting a big-name star in this plodding logjam of a film, but instead they chose to feature this faceless corporate lawyer in an unbelievably gray suit. I thought for a second this movie might turn into a Pink Floyd video but in the end it turned out that irony was not on the witness list.

Denzel Washington, Training Day -read EP review-

After a long, painful journey, Denzel finally finds his niche in this talking toddler pic. He's never had a finer moment than when he's chasing little Mikey around the apartment while he's got a shitty pair of pull-ups around his ankles (but don't ask me why Denzel was wearing pull-ups in the first place! Zing!). It just goes to show that talent can blossom late, and here Denzel is at his best since To Wong Fuâ€¦

Best Animated Film
In a surprising move by the Academy, the Best Actress category has been replaced this year by a new award for Best Animated Film. I'm sure you can imagine the endless griping that has ensued, but for what? I mean, who doesn't like cartoons?

Jimmy Nimrod: Boy Genius -read EP review-

Hands-down the funniest film of the year, and one of the main reasons you'll be hearing Roland McShyster's tortured screams echoing up from hell once we all hit the afterlife. I stand behind my actions, however, and if seeing an exploitive comedy about a retarded super-spy twelve times in the theater is a damnable offense, then damn the torpedoes and steer this cruise ship towards the Hades water park, my friends.

Mobsters, INC. -read EP review-

A computer-animated classic set in the mobster's paradise of New Jersey. A funny, fascinating, and fuggetaboutit musical for those of us who like our fellas good and our fathers godly. Or something, I don't know. Look for Joe Piscapo in his trademark insane mobster role.

Beatty and the Beast

I had the weird deja-vu feeling that I'd seen this movie before, but with all of the great new stuff they're cranking out, it's not like Disney would just rehash one of their old movies to make a few extra bucks. Anyway, it's great to see Ned Beatty working again, though to be honest sometimes I got confused about who was the Beast.

And that's a wrap! Now's it's time to bask in the afterglow while we await the ceremony itself. When will it be? Nobody knows! But that's half the fun of it. And from me to you, America, I hope it's some kind of wonderful. See you in a month!