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You Look Like An Asshole: The History of Fads Vol. 2

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September 1, 2003
The gaudiest fad of the 1950's had to be the 3D movie. The early 50's were a desperate time for Hollywood studios, as audiences were staying at home on their big fat asses in record numbers and movies were faring poorly in competition with television and communist witch hunts. Studio execs were willing to try anything to get more people into the theaters, even toying with the notion of making films that weren't big fetid balls of dung. But before they could go that far, the studio heads at Universal discovered that they'd accidentally made the same movie twice.

Universal had bankrolled The Hungry Jungle, which featured a young Charles Bronson running like hell away from man-eating tigers for two hours, and at the same time they had inadvertently financed D.A. Steuben's cannibal tiger picture Run Like Blood. Rather than shelling out promotional funds for both films to wastefully compete against each other, the studio decided to play both of them, simultaneously, on the same screen. That way they could cover up their gaffe while boasting twice as many stars running away from twice as many man-eating tigers in one movie. Like I said, these were desperate times and it should be noted that back then, guys couldn't hold their liquor.

Unfortunately the "movie" didn't make any sense when played this way, but this was only a minor setback. A young Universal intern soon discovered that thanks to poor quality control each of the films was tinted a slightly different color, and if you watched the composite film while wearing a pair of the red and blue "Wacky Glasses" given away free in boxes Oat Shmote kids' cereal, it came out kind of sort-of in 3D. The intern was thanked for his input, then immediately fired since he was obviously stealing from the studio to be able to afford drugs that good.

The idea stuck though, and the composite film Hung Like a Jungle was released in 3D as a promotional gimmick in 1952. The movie was a gigantic hit, with the 3D technology making audiences sicker than a dog on a Ferris wheel, an experience many filmgoers petrified by the boring 1950's seemed to enjoy. All summer long, audiences suffered through a kind of nausea they wouldn't experience again until The English Patient was released in 1996. The trend caught on like wildfire, and fifteen more films were released in 3D during the next three days, most of them soft-core pornos. Unfortunately for Hollywood, 3D movies were soon banned since public health officials couldn't be convinced that hundreds of moviegoers spending two hours drenched in their own vomit was just good clean fun.

Deprived of 3D cheesecake by The Man's uptight cronies, American youths in the 50's were eager for a new thing to come along and waste their time. Thanks to Australian DUI king Chuckie Dubing, they didn't have to wait long. Dubing discovered the boomerang while pulling the body of a dead aborigine off the hood of his car during a drunken one-man rally race through the outback one night in 1953. The strange crooked stick struck Dubing's fancy, and he extrapolated that it must be a hunting stick used to kill wild game birds in the bush. Dubing further extrapolated that its crooked design must allow the stick to curve in the air and return to its thrower, and this is the concept he sold to Wham-o later that year. In actuality, the aborigine was just carrying it because he wanted to show his family the funny crooked stick he had found under a tree.

Regardless, Wham-o mass-produced copies of the stick as a children's toy, and within a year millions of "boomerangs" (the name came from Dubing's approximation of the sound the aborigine made hitting his car) had been sold despite the fact that nobody anywhere had ever had one fly back to them after being thrown. Wham-o deserves a great deal of credit, however, for recognizing that few would risk appearing physically inept by claiming that the boomerang just flew kind of lopsided and herky-jerky into your neighbor's bay window every time you threw it.

Probably the only 1950's fad that ended up being worth three-quarters of a damn was the PEZ dispenser. The candies themselves had been around in Europe for twenty years, sold hilariously to American tourists who didn't know PEZ was the German word for piss. It wasn't until 1952, however, that Germany got revenge on America for kicking their evil little asses by marketing the PEZ candy in irresistible dispensers with the heads of popular political figures on top. Before long, Americans couldn't help themselves but eat candy out of Franklin Roosevelt's neck, making true Hitler's cryptic vow from 1941 that nobody had understood at the time. Eventually over the years, political bitterness died down and American children were eating candy out of Henry Winkler and Kermit the Frog's necks as well, continuing a bizarre tradition that rivals any of the crazy shit the Orient ever dreamt up.

That'll have to do for the 50's, although I wanted to go into how they pulled the first batch of Silly Putty out of a Yak's ass; there just isn't time. Keep an eye peeled for future columns, when we'll take a look at how other generations wasted their time between wars and the occasional worthwhile dance craze.


Quote of the Day
“How many roads must a man walk down before someone will give him a fucking ride? What, do I look like a serial killer or something? Blow me in the wind, buddy.”

-Zimm Bobberman
Fortune 500 Cookie
Here comes another lecture on the same old tax-and-spend bullshit, courtesy your butler. Quit picking at it and maybe it wouldn't get infected. Who beefed? Details inside. Better save that big comeback tour until after you've had at least one hit song.


Try again later.
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