The Writing One, Baby

I'm learning all kinds of shit you can't even imagine. This is the kind of stuff you don't learn in school, folks. It's screenwriting school.

The last time I talked to you I told you about trying to write a screenplay, right? And how it was going so great, right? Well, turns out I hit some major block after I finished the title page. Just couldn't think of what the script needed to really get rolling, like the characters or what it was going to be about. Fortunately, I saw that Nancy Melville, one of Hollywood's greatest costume designers, was teaching a screenwriting course out here in Los Angeles. That's where I live! It's practically down the street! Out of Nancy's apartment, even. You can bet I jumped at the chance.

I've picked up inside dirt on the movie business that I never would have believed. Did you know it's considered unprofessional to handwrite your scripts? I thought it made mine look classier, but whatever. Gotta play ball, as they say. So I got me a laptop, hopefully my sister won't miss it until I'm done, and now I'm heavy at work on my screenplay.

Nancy gave us all sorts of shortcuts on what to do when you can't think of what you want your movie to be about. One thing a lot of screenwriters do is take an old movie, change the names of the characters, and give it some modern gimmick to make it different from the old film. And if you want, you don't even need the gimmick. Nancy says Hollywood doesn't even really care. Seems like they make all their movies this way, judging by a look at the latest releases. That makes it so much easier to write. I'm good at lying, but fiction is something else entirely.

The movie I decided to remake is Jaws. Nancy said I'm a natural at this business, because I took a movie that was really popular and I'm remaking it. I said I thought it was about time for a new shark movie, because people have been getting cocky lately and I think the sharks are starting to notice. It's just a matter of time before they start really fucking people up, just for laughs. But Nancy suggested I make it something else, since if I make it a shark everybody will know I'm ripping off Jaws. With a good remake, says Nancy, only critics and people of average intelligence will know I'm ripping off Jaws, because I used some subtlety. And that's what I'm going for.

That got me thinking: What's scarier than a shark? If you said two sharks, that's pretty funny. But you're not helping. No, I decided on a bear. Because if you think about it, bears are even worse. They look so cute, like you can go up and play with them. That's nature's way of suckering in people to eat, and Darwin called it natural selection, because he thought that was funny. So that's what I wanted, this cute bear that everyone thinks is so cuddly, but then he swipes with his claws and shit and it's good-night, Irene.

Well, it went through a real fucked-up part where I was totally blocked, trying to come up with what a bear would be doing underwater all the time. Then I just said it was part of a government science experiment and a billionaire corporation is involved. That explains it all. And, of course, I had to give the bear a scuba tank, a mask, and some flippers, because having this bear swim underwater for too long without all that stuff just wouldn't be realistic. But other than that, I can totally "borrow from the outline" in Jaws, as Nancy says, real sly for a complete stealing of that movie. I have a town sheriff in my movie, which I'm thinking will be played by Conan O'Brien, so I'm just calling him "Conan" in the script. Anyway, it's really rolling. I've got maybe five scenes done, including this really cool prologue where the bear fights a dolphin in the secret government lab. Just to set up how much of a bad-ass the bear is. If I keep this up I might even give up acting for screenwriting. It's a lot easier at least.

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