SNAPPER McGEE Lead Detective Vernon McCain investigates crime scene while accidentally locked in bank by slow deputy.

The robbery happened in Norfolk, a dead town with no night life whatsoever, when the three hold-up men shot four bank employees and one civilian like they were last year’s fashions and crashed through the wall in a balls-out kaboom to flee the scene. Another customer was winged in the shoulder in true Hollywood style. Police chased down the robbers in a sweet-ass manhunt that reminds this reporter of her early years. The governor authorized the use of Black Hawk helicopter in a show of force that certainly won my heart.

Yet with all of this grade-A material, don’t wait for Hollywood to put this on your local theater screen.

“Frankly, most of it plays great,” said Universal Vice-Vice President Armio Durkness, “the daring daylight robbery, the guns and the explosions and the Black Hawk helicopter—God, I’m wet over the Black Hawk helicopter. But the shooting of four bank people? And the customer? Bad move, guys. Makes us less sympathetic to your character. We’re passing for now.”

Apparently our fearsome threesome have a Master’s degree in domestic terrorism, but a big fat failing grade in media savvy.

“Man, it could have been great,” said MGM Studio Exec Dandelion Waters. “Three buddy bank robbers in the western United States decide to pull off that one big heist and the evil, corrupt governor—metaphorically speaking, of course—wants to bring them down so he can get re-elected. Sends out every cop in the state, even a super high-tech Airwolf-style chopper. Then they had to go and ruin it by blowing away people. Nobody wants to see that on their news and they definitely don’t want to pay to see it at the theater.”

Three men were arrested in a town about 76 miles away, but it could not be certain if the men were the ones they were seeking or just a couple of boy-toys doing an honest day’s work. If the latter is true, this reporter needs to investigate personally.

The action and romantic notion of robbing a bank in modern America, minus the bring-me-down of the murders involved, is a dangling piece of candy that Hollywood may not resist entirely. Although reaction is slow and moviemakers aren’t jumping on the wagon just yet, there is talk that maybe the story can be salvaged, with some Hollywood-sized adjustments.

“If they can make a big scarefest like the O.J. Simpson stuff into a movie, we can certainly work enough magic with the more ample material we have here,” said Mike Oliphant, a stubble-faced producer at Miramax who smells like he works out often. “We dump the murders right out, that’s a given—do a little more background on the characters, maybe make them three childhood friends doing it all for the memory of a friend who died too soon. You know, cancer, AIDS, that West Nile stuff is big right now. I’m starting to like it. Kind of a ‘our last big shot to take the brass ring.’ It’s do-able.”

The real story is being sought by many moviemakers right now, but only to see if there’s any usable gold nuggets within. If not, Tinsel Town is famous for making their own brand of gold dust.

“If people wanted reality, they’d watch the news,” said Dreamworks consultant John Dorfenfoof. “Or maybe not the news. Definitely not Fox News. But they’d watch something. Not movies.”

the commune news is so touched by your compliments we’re turning a bright shade of red—big fat commie red. Stigmata Spent is back after what we are referring to as a long vacation in Bangkok. That’s right, a vacation. Don’t think about it anymore.

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